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Claude Debussy Piano Music 1888-1905
This volume contains the complete music for solo piano written by Claude Debussy between 1888 and 1905. Beginning with Deux Arabesques (1888), it offers the Suite bergamasque (1890–1905), Réverie (1890), Danse (1890), Ballade (1890), Pour le piano (1896–1901), D'un cahier d'esquisses (1903), Extampes (1903), Mazurka (1891), Valse romantique (1890), Masques (1904), L'Isle joyeuse (1904), and the first series of Images (1905): Reflets dans l'eau, Hommage a Rameau, and Mouvement. In each case the music has been reproduced photographically from original or early editions.
This book has been designed to be used at the piano. Noteheads are large and clearly printed: margins and spaces are adequate for written notes, fingerings, and turnovers. It is also most useful, of course, for analysis or simply for listening along with the music.
This book has been designed to be used at the piano. Noteheads are large and clearly printed: margins and spaces are adequate for written notes, fingerings, and turnovers. It is also most useful, of course, for analysis or simply for listening along with the music.
Reprint of the second 1974 edition.
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Claude Debussy Piano Music 1888-1905—
$21.95
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Description
This volume contains the complete music for solo piano written by Claude Debussy between 1888 and 1905. Beginning with Deux Arabesques (1888), it offers the Suite bergamasque (1890–1905), Réverie (1890), Danse (1890), Ballade (1890), Pour le piano (1896–1901), D'un cahier d'esquisses (1903), Extampes (1903), Mazurka (1891), Valse romantique (1890), Masques (1904), L'Isle joyeuse (1904), and the first series of Images (1905): Reflets dans l'eau, Hommage a Rameau, and Mouvement. In each case the music has been reproduced photographically from original or early editions.
This book has been designed to be used at the piano. Noteheads are large and clearly printed: margins and spaces are adequate for written notes, fingerings, and turnovers. It is also most useful, of course, for analysis or simply for listening along with the music.
This book has been designed to be used at the piano. Noteheads are large and clearly printed: margins and spaces are adequate for written notes, fingerings, and turnovers. It is also most useful, of course, for analysis or simply for listening along with the music.
Reprint of the second 1974 edition.
music stand;solo piano;piano players;piano pieces;music library;piano playing;sheet music;advanced player;ring binding;pour le;clair de;claire de;lays flat;de lune;spiral binding;mouvement;dover's;l'isle;schirmer;fingerings;joyeuse;arabesques;dover;masques;durand;dans;pianists;nocturnes;waltzes;preludes;deux;chopin;scores;reverie;legible;compositions;1890;piano;notation;spaced;suite;composer;album;printing;editions;compilation;books on pianos;books on printings;books on arabesques;books on mouvements;books on scores;books on piano playings;books on de lunes;books on sheet musics;books on ring bindings;books on notations;books on chopin;books on pianists;books on music stands;books on music libraries;books on solo pianos;books on spiral bindings;books on dans;books on compositions;books on suites;books on advanced players;books on piano players;books on preludes;books on fingerings;books on joyeuse;books on masques;books on nocturnes;books on compilations;books on durand;books on albums;books on dovers;books on piano pieces;books on reveries;books on editions;books on composers;books on waltzes;books on schirmer
